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Set in 13th century Philippines, the film is a fictionalized tale of Princess Urduja, the legendary warrior princess of the province Pangasinan.
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TIFF 2024: Leigh’s first film in six years is an almost unbearably subtle and intimate story of Black working class families
Pansy, the central character in “Hard Truths,” British director Mike Leigh’s first film in six years, is one of the most unpleasant, off-putting and utterly exhausting characters to grace a movie screen in years. And the fact that we feel for Pansy by the end of the 97 minutes of Leigh’s spare and wrenching gem is one of the small miracles of an extraordinarily moving film.
From “Naked” to “Secrets & Lies,” “Vera Drake” to “Topsy Turvy,” “Happy-Go-Lucky” to “Mr. Turner,” Leigh has been a craftsman whose films are impressive vehicles for creating empathy for difficult characters — or, rather, for difficult people , so rich and true do they appear.
“Hard Truths” brings Leigh back to a contemporary story for the first time since “Another Year” in 2010, with his last two movies being the period pieces “Mr. Turner” in 2014 and “Peterloo” in 2018. And it reunites him with Marianne Jean-Baptiste, the actress who broke out in Leigh’s “Secrets & Lies” 28 years ago and returns to his fold with shattering results.
Within a few minutes of the film’s opening, we see Pansy awaken in her bedroom with a scream — and over the course of “Hard Truths,” it becomes clear that this is how she usually wakes up. She wakes in fear and anger, lives in fear and anger — afraid to go out in the garden of her home on the outskirts of London, afraid to let her son go for a walk for fear that a Black teenager on the street will be picked up by the police, afraid of every noise and startled by the phone every time it rings.
Pansy — it almost seems cruel that she sports that flowery name — sleeps with a frown, and when her husband asks, “You good?” her instant answer is a shouted “No!”
She berates her son and her husband over dinner, then moves on to the people she sees outside: the charity workers who want her money, the dog walkers who put coats on their animals, the young mothers who dress their babies in clothes that have pockets. “Cheerful grinnin’ people,” she says, spitting the words out. “Can’t stand ’em out there.”
The camera hones in on Pansy, and Jean-Baptiste is simultaneously riveting and tough to watch. It’s hard to acknowledge that your heart is breaking for somebody that relentlessly ugly — but as exhausting as it is to watch her and listen to her, the film has the power to pose a simple question: What must it be like to be her?
Pansy’s sister Chantal, played by Michele Austin, is a study in contrasts, with a cheerful relationship with two daughters who are themselves thriving even as they put up with routine humiliations at the hands of white colleagues. Almost every word out of Pansy’s mouth is angry, but Chantal is the one person who occasionally gets something closer to resignation.
“Mother used to say, ‘Why can’t you go out? Why can’t you enjoy life?’” Pansy sighs when she reluctantly accompanies Chantal to their mother’s grave.
“Why can’t you enjoy life?” Chantal says.
“I don’t know,” says Pansy, and then a few minutes later she elaborates: “I’m so tired. I just want to lie down and close my eyes. I want it all to stop.”
Leigh famously convenes his actors for months of workshopping in which they build their characters and the story slowly begins to take shape, and the result is almost unbearably subtle and intimate. Conflict builds in glances that carry years of history behind them, or in the smallest of gestures; Pansy tightens her jaw, just a bit, and we sense that she’s on the verge of exploding but is fighting that urge because she’s in her sister’s kitchen.
Cinematographer Dick Pope, who has made more than a dozen movies with Leigh, catches the claustrophobia in Pansy’s world; Gary Yershon’s score slowly slides from unobtrusive chamber music to something edgier and more astringent.
Not much happens, apart from life passing in front of the camera. Pansy has glimpses of self-awareness, maybe, and she acknowledges despair rather than simply responding with anger. But does that mean she can change?
“I go out and … things happen,” she says, explaining to Chantal why she tries not to leave her house.
“What kind of things?”
A pause. “People.”
And that’s “Hard Truths,” in a nutshell: people . People you won’t forget, courtesy of a handful of remarkable actors and a singular director who at the age of 81 remains a true treasure.
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It’s a week of ghosts, ghouls, corrupt cops, and terrifying in-laws. That’s right — we’ve got reviews of everything from the new A24 horror The Front Room to Netflix ’s thriller Rebel Ridge to Tim Burton sequel Beetlejuice Beetlejuice to one of the best new movies of the year that’s an exploration of an old one lost to time. Whether they’re for movies in theaters or at home, these are the reviews of everything you can see, ranked by what we thought of them.
Starting things off is Hoard , a film with potential that still falls short. Starring Stranger Things ’ Joseph Quinn and Saura Lightfoot , it's a film about two hoarders in a toxic relationship that just becomes a mess of its own creation. The vibes are rancid, so best beware entering into this one if you get nauseous. In her review , Senior Editor Emma Kiely wrote that "its mishandling of mental illness and an unearned ending are too apparent to be ignored."
Hoard has strong central performances, but doesn't handle its subject with the seriousness it requires.
READ OUR REVIEW
Directed by max eggers and sam eggers.
Family can be scary for just about all of us. The new horror film The Front Room quadruples down on that truth by following Brandy ’s troubled mother-to-be as she gets tormented by her mother-in-law, played by Kathryn Hunter . It’s an absurd ride with plenty of body fluids, but still far from one of the best movies you can watch this week. In his review , contributor Jeff Ewing wrote "it’s a solid dark comedy in the trappings of a psychological horror film."
'The Front Room' is a solid absurd dark comedy wearing psychological horror trappings.
Directed by tim burton.
A fun throwback from Tim Burton starring Jenna Ortega and Michael Keaton , Beetlejuice Beetlejuice is better than just about any of us were expecting, with the director having more fun than he has in quite some while. It doesn’t raise the dead, but you could watch this one right alongside the original as their seamless charm blends together. In his review, contributor Martin Tsai wrote "rife with nostalgia, Beetlejuice Beetlejuice is intended for ’80s babies."
Beetlejuice Beetlejuice is the best one could hope for from a cash grab and a welcome return to form for Tim Burton.
Directed by jeremy saulnier.
A thriller that’s part Rambo, part Reacher , and all Aaron Pierre , Jeremy Saulnier ’s Rebel Ridge confidently rolls into town, kicks some ass, then gets out with only a few scratches here and there. With his character taking on corrupt cops left and right, it’s a star-making performance from Pierre, who we can’t wait to see more of. In my review , I wrote that "when you have a lead who brings such grace to every scene, any who comes in his character’s way, be they corrupt cops or silly streamers that don’t give his film a proper release, best watch out."
Jeremy Saulnier's Rebel Ridge is a lean, mean action thriller with a star-making performance by Aaron Pierre.
Directed by zia anger.
A daring “directorial debut” and the meta movie to end all meta movies, Zia Anger ’s My First Film is this week’s best release worth seeking out. A restaging of the director’s actual first feature, it pulls back the curtain on the form itself, offering a wholly original experience with layers upon layers of emotion and meaning. In my review , I wrote "her feature is given new life as it becomes a quiet triumph when remolded and revisited all these many years later."
Zia Anger's My First Film is a daring work of art that embraces the unwieldiness of life to find something beautiful from what was lost.
Role models come in all shapes and sizes, invariably saying more about the nature of influencing than the person setting the example. A hearty thank-you, then, to pioneering computer-age figure Mavis Beacon for inspiring a documentary these many years later — Jazmin Jones’ effervescent adventure “Seeking Mavis Beacon” — that puts a tech icon’s impact into sharp, funny and thought-provoking context.
The kick is that Mavis Beacon isn’t a real person. But she resoundingly was one to the countless Black millennials who learned how to type from a software game launched in 1987 that featured the bright smiling face of an elegantly attired woman who looked like them and who seemed to be subconsciously selling empowerment.
Sliding into the gap between the creation of a late-’80s marketing invention programmed by three white men and our 21st century world of cyber-unreality, first-time feature director Jones becomes a cheery, determined DIY sleuth investigating a cultural icon. That involves tracking down the beautiful Haitian model named Renée L’Espérance who, after being hired from a perfume counter in Los Angeles, seemed to vanish after her visage launched millions of users into a new world of interactive education.
With the help of a savvy college-age collaborator and self-proclaimed “cyber doula” named Olivia Ross (also the film’s associate producer), the intrepid duo probes the Mavis mytho-history with a charming mix of reverence, intellectual curiosity and humor, like an internet-era Scooby-Doo gang of two. Leads are followed, “missing” signs are posted, spirits are conjured and cultural thinkers are interviewed on everything from the role of women in tech servitude — hello, Siri and Alexa — to such concepts as critical fabulism, data healing and cyberfeminism.
We’ve mapped out 27 of the best movie theaters in L.A., from the TCL Chinese and the New Beverly to the Alamo Drafthouse and which AMC reigns in Burbank.
Nov. 22, 2023
Director Jones, a lively onscreen presence, sees her project as following a path set by pioneering Black filmmaker Cheryl Dunye, whose landmark film “The Watermelon Woman,” we gather, is probably on a playback loop in her Mavis-centric office. Dunye’s noteworthy quote about researching the marginalized (“Sometimes you have to create your own history”) is Jones’ mantra for their archival mission. Early on, we see some playful deepfakes that show Mavis recognized by the likes of Obama and Oprah.
When the documentary shifts to cold-calling, door-knocking and crafty online digging, it turns out there are real, tantalizing details to unearth. The women secure interviews with two of the software company’s founders but wisely don’t accept their upbeat, carefully curated version as gospel, eventually learning that relations didn’t end so amicably between the men, who raked in millions, and the woman whom they paid $500 for her likeness.
As a counter, Jones has a warmer conclusion in mind for the film: a devotional sit-down with L’Espérance — what Jones calls a “wellness check” — if, that is, they can find her. Or if she even wants to be found. Watching Jones and Ross navigate a knotty search that straddles the pitfalls of citizen journalism, the energy of hero worship and the seriousness of ethical inquiry is where “Seeking Mavis Beacon” ultimately finds its truest heart, chronicling a journey that invariably butts up against the problem of whose perspective is taking center stage.
There are some cringeworthy moments watching the pair win at detective work while losing as vulnerable fangirls. But like any soulful quest worth its salt, “Seeking Mavis Beacon” makes the lows as meaningful as the highs, endorsing a wild web world in which mystery and exposure can peacefully coexist.
'Seeking Mavis Beacon'
Not rated Running time: 1 hour, 42 minutes Playing: Landmark’s Nuart Theatre, West Los Angeles
Sept. 2, 2024
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Sept. 6, 2024
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Bhargavi Nilayam Review: టోవినో థామస్ హీరోగా నటించిన భార్గవి నిలయం మూవీ గురువారం (సెప్టెంబర్ 5న) ఆహా ఓటీటీ ద్వారా తెలుగు ప్రేక్షకుల ముందుకొచ్చింది. హారర్ థ్రిల్లర్గా తెరకెక్కిన ఈ మూవీకి ఆషిక్ అబూ దర్శకత్వం వహించాడు. రీమా కల్లింగల్, రోషన్ మాథ్యూ కీలక పాత్రల్లో నటించారు. ఈ హారర్ మూవీ ప్రేక్షకులను మెప్పించిందా? లేదా? అంటే?
సముద్రతీరానికి సమీపంలో ఉన్న పల్లెటూళ్లో భార్గవి నిలయం చాలా రోజులుగా మూతపడి ఉంటుంది. ఆ బంగళా పేరు వింటనే ఊరివాళ్లు వణికిపోతుంటారు. భార్గవి (రీమా కల్లింగల్) అనే అమ్మాయి ఆత్మగా మారి ఆ ఇంట్లో తిరుగుతుందని, అందులో అడుగుపెట్టిన వారిని చంపడానికి ప్రయత్నిస్తుందనే రకరకాల ఊహాగానాలు వినిపిస్తుంటాయి. బషీర్ (టోవినో థామస్) అనే రైటర్ ఆ ఊరికి కొత్తగా వస్తాడు. భార్గవి నిలయం చరిత్ర గురించి తెలియక అందులో అద్దెకు దిగుతాడు.
మరో ఇంటికి మారడానికి అవసరమైన డబ్బు తన వద్ద లేకపోవడంతో భార్గవి ఆత్మతో స్నేహం చేస్తూ అదే పాడుబడ్డ ఇంటిలో ఒంటరిగా ఉంటుంటాడు బషీర్. భార్గవి గురించి కథ రాయాలని ఫిక్సవుతాడు బషీర్. ప్రేమలో విఫలమై భార్గవి ఆత్మహత్య చేసుకుందని ఊరివాళ్లు బషీర్తో చెబుతారు.
వారు చెప్పింది నిజమేనా? భార్గవిని ప్రాణంగా ప్రేమించిన శివకుమార్ (రోషన్ మాథ్యూ) ఎలా అదృశ్యం అయ్యాడు? ఈ ప్రేమ జంట జీవితంలోని మిస్టరీని బషీర్ ఎలా బయటపెట్టాడు? భార్గవి, శివకుమార్ ప్రేమ విఫలం కావడానికి నారాయణన్ అలియాస్ నాన్ కుట్టీకి ఎలాంటి సంబంధం ఉంది? తనకు జరిగిన అన్యాయంపై భార్గవి ఎలా రివేంజ్ తీర్చుకుంది అన్నదే భార్గవి నిలయం కథ.
ఓ పాడుబడ్డ బంగళాలో యువతి ఆత్మ ఉండటం, అందులోకి హీరో అడుగుపెట్టడం, ఆత్మకు ఓ ఫ్లాష్బ్యాక్, దయ్యం రివేంజ్కు హీరో సాయపడటం అనే కాన్సెప్ట్ హారర్ సినిమాల్లో తీసి తీసి అరిగిపోయింది. ఈ పాయింట్ను ఎన్ని రకాలుగా సిల్వర్ స్క్రీన్పై చూపించవచ్చో అన్ని రకాలుగా మన దర్శకులు చూపించేశారు.
కామెడీ, ఎమోషన్స్, లవ్ స్టోరీ...అన్ని జానర్స్లో ఈ హారర్ పాయింట్ను ఇరికించేసి సినిమాలు చేశారు..అయినా అప్పుడప్పుడు ఇలాంటి హారర్ సినిమాలు ఇంకా వస్తూనే ఉన్నాయి. భార్గవి నిలయం అలాంటి కథే.
ఓ ప్రేమ జంట జీవితంలోని విషాదాన్ని ఓ రచయిత ఎలా వెలుగులోకి తీసుకొచ్చాడన్నదే భార్గవి నిలయం మూవీ కథ. భార్గవి నిలయంలోకి ఓ దొంగ ప్రవేశించడం, అతడికి ఆత్మ కనిపించే సీన్తోనే ఈ సినిమా మొదలవుతుంది. ఆ తర్వాత భార్గవి నిలయంలో రైటర్ అయిన హీరో అద్దెకు దిగడం, ఆ బిల్డింగ్ గురించి అతడికి ఊరివాళ్లు చెప్పే కథలతో దర్శకుడు కథను ఆసక్తికరంగా ముందుకు నడిపించాడు.
హీరోకు, ఆత్మకు దోస్తీ కుదరినట్లుగా ఫస్ట్ హాఫ్లో చూపించారు. సెకండాఫ్లో భార్గవి, శివకుమార్ లవ్స్టోరీ, వారి ప్రేమకథకు విలన్ ఎవరన్నది రివీల్ చేసి కథను క్లైమాక్స్ వైపుకు సాగించారు దర్శకుడు. క్లైమాక్స్ లో తన మరణంపై భార్తవి ఎలా రివేంజ్ తీర్చుకుందన్నది చూపించారు.
కథ పరంగా భార్గవి నిలయంలో ఎలాంటి కొత్తదనం లేదు. కానీ దయ్యం పేరుతో కామెడీ చేయడం, కుర్చీలు, తలుపులు కదులుతున్నట్లుగా ట్రిక్కులు వాడి భయపెట్టడం లాంటి రెగ్యులర్ హారర్ సినిమాల్లో ఉండే సీన్స్ ఇందులో లేకుండా క్లీన్ హారర్ మూవీగా దర్శకుడు భార్గవి నిలయం సినిమాను తెరకెక్కించాడు.
డబుల్ మీనింగ్ డైలాగ్స్, కథకు సంబంధం లేని అవసరమైన సీన్స్ సినిమాలో ఒక్కటి కూడా కనిపించవు. కంప్లీట్ ఆర్ట్ ఫిల్మ్లా కథ, కథనాలు సాగుతాయి. దర్శకుడు రాసుకున్న ఒకటి రెండు ట్విస్ట్లు కూడా ఈజీగానే గెస్ చేసేలానే ఉన్నాయి. భార్గవి, శివకుమార్ లవ్స్టోరీ బోరింగ్గా సాగుతుంది.
రచయిత పాత్రలో టోవినో థామస్ నటన బాగుంది. అతడి లుక్, డైలాగ్ డెలివరీ కొత్తగా ఉన్నాయి. కంప్లీట్ వన్ మెన్ ఆర్మీలా స్టార్టింగ్ నుంచి ఎండింగ్ వరకు ఒక్కడే సినిమాను నడిపించాడు. ప్రేమ జంటగా రీమా కల్లింగల్, రోషన్ మథ్యూ పర్వాలేదనిపించారు. విలన్గా టామ్ చాకో యాక్టింగ్ ఒకే.
భార్గవి నిలయం రొటీన్ హారర్ మూవీ. హారర్ ఎలిమెంట్స్, థ్రిల్స్, ట్విస్ట్లు ఈ సినిమాలో తక్కువే. టోవినో థామస్ యాక్టింగ్ కోసమే ఈ సినిమాను ఓ సారి చూడొచ్చు.
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Urduja: Directed by Reggie Entienza. With Regine Velasquez, Cesar Montano, Eddie Garcia, Johnny Delgado. Set in the 13th century, the film is a fictionalized tale of Princess Urduja, a legendary warrior princess of Pangasinan.
Urduja is a 2008 Filipino animated historical fantasy film based of the legend of the warrior princess Urduja of Pangasinan.It was the first of two locally produced (in the Philippines) animated films set for release in 2008. The other, Dayo, was released as an entry for the 2008 Metro Manila Film Festival. The film was created by an all-Filipino group of animators and made using the ...
Synopsis. Set in the 13th century, the film is a fictionalized tale of Princess Urduja, a legendary warrior princess of Pangasinan. The film is created by an all-Filipino group of animators and made using the traditional (hand-drawn) animation process. Cast. Crew.
Naalala ko nung elementary ako, after lunch pinapabasa kami ng mga story books. Siguro may story book noon about kay Urduja I just didn't bother to read it kase mas gusto ko yung Cinderella or Alamat ng Saging and the likes. Eme. I don't want to criticize anything kase it's made in the 2000's so it's understandable. Urduja girlbossed ...
Where to Watch. Set in the 13th century, the film is a fictionalized tale of Princess Urduja, a legendary warrior princess of Pangasinan. The film is created by an all-Filipino group of animators ...
Wang. Michael V. Kukut. Page 1 of 3, 6 total items. In Theaters At Home TV Shows. The percentage of Approved Tomatometer Critics who have given this movie a positive review. The percentage of ...
With English subtitles. Part 2 with English subtitles: https://www.youtube.com/watch?v=Grm7nz8M2cIPart 3 with English subtitles: https://www.youtube.com/watc...
Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. The definitive site for Reviews, Trailers, Showtimes, and Tickets. ... Urduja Reviews
Set in the 13th century, the film is a fictionalized tale of Princess Urduja, a legendary warrior princess of Pangasinan. The film is created by an all-Filipino group of animators and made using the traditional (hand-drawn) animation process. Reggie Entienza. Director, Screenplay, Story. Michael Tuviera.
Critic reviews for the film: 'Urduja (2008)' Beautiful, interesting, incredible cinema.
Unlike other animated films, Urduja portrays conflict explicitly and viewers can expect to see war scenes and even death, which are uncharacteristic of animated movies. It has an intricate yet easy-to-digest plot filled with humorous characters, such as the resident talking animals Kukut the rat (Michael V.) and Tarsir the tarsier (Allan K.).
Visit the movie page for 'Urduja' on Moviefone. Discover the movie's synopsis, cast details and release date. Watch trailers, exclusive interviews, and movie review. Your guide to this cinematic ...
(Thanks to Michelle Morelos for the Urduja photos). Congratulations to Producer Tony Tuviera (of Eat Bulaga fame) and Director Reggie Entienza for Urduja! It is "the first-ever Philippine full-length digital and traditional animation film" that showcase Filipino talent and animation capabilities (see more info: Life is an Animation) This is history in the making.
Urduja will be showing on June 18, 2008. Watch the trailer here. ⋆ Hi! Thanks for stopping by ⋆. made in the Philippines by Sophia Lucero. On Urduja, the first full-length Filipino animated film about a legendary warrior princess from Pangasinan: Maybe our culture is so enmeshed with foreign culture that we can no longer distinguish one ...
Urduja (Reggie Entienza, 2008) A cursory glance at the filmography of Reggie Entienza, writer and credited director of Urduja, which is purported by the film's marketers as the first Filipino full-length fully animated film (despite the fact that in 1997, Ibong Adarna (Adarna: The Mythical Bird, Gerry A. Garcia) was released in cinemas; In 1995, Isko: Adventures in Animasia (Gerry A. Garcia ...
Miss Regine Velasquez delivers a strong performance as Princess Urduja, the title character, and Cesar Montano outdoes himself yet again as the handsome, daring and quick-witted Chinese pirate captain, Lim Hang. Likewise, Eddie Garcia is perfect for the role of Tawilisi leader Lakanpati. Ruby Rodriguez as Urduja's wacky best friend, Mayumi, is ...
The full theatrical trailer of the Filipino animated movie "Urduja", with English subtitles."Urduja" (2008) on IMDB: http://www.imdb.com/title/tt1168764/
Set in 13th century Philippines, the film is a fictionalized tale of Princess Urduja, the legendary warrior princess of the province Pangasinan.
Spectrum News Channel 1 — Survival Arts Academy Brings Local Women Together Through Self-Defense Classes. A warrior queen of a matriarchal dynasty, Urduha (widely known as Princess Urduja) was a 14th century ruler of Tawalisi, in what is now known as Pangasinan. Known far and wide, she was famous for leading a retinue of women warriors who ...
A first and only Filipino non-Disney movie sets in a fictionalized story of a brave warrior princess in Pangasinan (13th century) ... urduja-2008 Scanner Internet Archive HTML5 Uploader 1.7.0 Sound sound Year 2006 . plus-circle Add Review. comment. Reviews There are no reviews yet. Be the first one to write a review. 283 Views . 2 Favorites ...
Set in the 13th century, the film is a fictionalized tale of Princess Urduja, a legendary warrior princess of Pangasinan. The film is created by an all-Filipino group of animators and made using the traditional (hand-drawn) animation process.
The film contains the following tropes: Disneyesque: The film's art style resembles the 2D Disney Animated Canon films.; Jungle Princess: She lives in a jungle that she loves to explore.; Kick Chick: Urduja has an inclination towards kicks in most of her fight scenes.; Lady of War: Urduja shows shades of this in the movie.; Silk Hiding Steel: Urduja may be a warrior princess, but she is deeply ...
Urduja Movie Review When I first watched the trailer of Urduja together with the movie "Horton Hears A Who", I really found it hard to believe that Filipinos can actually go this far. I was amazed by the two-dimensional graphics. If only the characters didn't speak in the trailer, I would actually thought it was another Disney flick.
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Bhargavi Nilayam Review: టోవినో థామస్ హీరోగా నటించిన భార్గవి నిలయం మూవీ గురువారం(నేడు) ఆహా ఓటీటీలో రిలీజైంది. హారర్ కథాంశంతో తెరకెక్కిన ఈమూవీలో రీమా క ...