personal essay publications

80 Best Magazines & Websites That Publish Personal Essays

Well, you’re in luck because you’ve just found a list of magazines that accept essay submissions around pop culture, personal finance, personal stories, and many other topics. If you’re passionate about crafting personal essays and your work typically falls within a range of 600 to 10,000 words, consider submitting your essays to the organizations listed below. They generally offer compensation of $50-$250 for each accepted essay. After this guide, you may also want to check my list of the best essays of all time .

Here are the top magazines and publications that publish thought-provoking essays:

1. the new york times – modern love, 2. the new york times – opinion essays.

To submit an essay to this publication, fill out the provided submission form with the essay and a brief explanation of your professional or personal connection to its argument or idea. The essay should include sources for key assertions (either as hyperlinks or parenthetical citations). Although all submissions are reviewed, the publication may not be able to respond individually due to the high volume of entries. If there’s no response within three business days, authors are free to submit their work elsewhere. Submission info .

3. Dame Magazine

DAME is a women’s magazine that prioritizes accessible and intersectional journalism that dives into context rather than breaking news. Their stories are unexpected, emotional, straightforward, illuminating, and focused on people rather than policy. They aim to reveal new or surprising information, provoke action or empathy, simplify complex issues, introduce fresh ideas, and foreground the people most affected by discussed topics. Submission info .

4. The New Yorker

The New Yorker welcomes letters to the editor sent to [email protected] and includes your postal address and phone number. For fiction submissions, send your work as a PDF to [email protected] or mail it to their New York address. They review all submissions within ninety days and will only contact you if they decide to publish your work. Submission info .

5. The Atlantic

6. the globe and mail.

The Globe and Mail welcomes your original experiences, viewpoints, and unique perspectives for your daily first-person essay. A good essay should have an original voice, an unexpected view, humor, vivid details, and anecdotes that illuminate a wider theme. While a successful essay could be funny, surprising, touching, or enlightening, it should always be personal and truthful, rather than political or fictional. Submission info .

7. The Guardian

To contribute to this publication, you should identify the most relevant section and contact the commissioning editor with a brief outline of your idea. You may be invited to submit your work speculatively, meaning payment will only be provided if your contribution is published. It’s important to note that your contribution should be sent electronically and will be published under standard copyright terms with payment at normal rates unless agreed otherwise before publication. Submission info .

8. Los Angeles Times

The Los Angeles Times is open to opinion articles on any subject, with most published pieces being about 750 words long. Submissions must be exclusive to them and not published elsewhere, including personal blogs or social media. Full drafts of articles are required for consideration and should include the author’s name, the topic, the full text, a short author biography, and contact information. Submission info .

9. The Sun Magazine

Slate invites pitches that are fresh, and original, and propose strong arguments. They appreciate ideas that challenge conventional wisdom and encourage you to clearly articulate the insights your reporting can uncover. A concise pitch is preferred, even if a full draft is already written. You should include a short bio and any relevant published work. They advise waiting a week before pitching to other publications, and if an editor passes, refrain from sending it to another editor at Slate. Submission info .

VICE is primarily interested in mid-length original reports, reported essays, narrative features, and service journalism related to contemporary living and interpersonal relationships. They welcome stories informed by personal experiences and insight but advise writers to consider what makes their story unique, why they’re the right person to tell it, and why it should be on VICE. While all stories don’t need to be tied to current events, a timely element can distinguish a pitch. They also accept quick-turnaround blogs and longer features. Submission info .

12. Vox Culture

14. buzzfeed reader.

This platform welcomes freelance pitches on cultural criticism, focusing on current or timeless topics in various categories like books, technology, sports, etc. Essays should offer a unique perspective on how these subjects reflect our society. The content must be relevant, advance ongoing dialogues, and add value to the existing discourse. Submission info .

15. The Boston Globe

16. the bold italic.

Before pitching to a Medium Publication, thoroughly understand its unique style by reviewing published content and submission guidelines. This ensures your work aligns with their preferences. With numerous Medium Publications available, persist in your submissions until you find a fitting outlet. Submission info .

18. Refinery29

Refinery29 Australia is committed to empowering women and underrepresented groups, with a particular focus on Australian women and trans and gender-diverse individuals, primarily Gen-Z and millennials. We publish a diverse array of content, from timely personal essays to reports on race, reproductive rights, and pop culture, all with a distinctly local perspective. They aim to shed light on the world around us, and highly value pieces that capture the unique Australian experience, be it in subject matter or authorial voice. Submission info .

ELLE’s annual talent competition is back for, seeking out the next superstar in writing. The winner will have their 500-word piece, inspired by the hashtag #RelationshipGoals and focusing on a significant relationship in their life. Submission info .

20. Cosmopolitan

22. the walrus.

The Walrus seeks short essays (up to 1,200 words) that are timely, focused, and sourced from Canada and globally. These can be reported narratives, memoirs, or mini-features on specific topics. Each essay should exhibit a distinct argument, a strong writing voice, and present an original and significant viewpoint. Writers new to The Walrus or those without long-form journalism experience are particularly encouraged to contribute to this section. Submission info .

23. Autostraddle

Autostraddle welcomes pitches, works in progress, and completed submissions. Any issues with the submission form should be emailed to Laneia Jones with the subject line “SUBMISSION ERROR”. Questions about the submission process can be directed to Kayla Kumari Upadhyaya with “SUBMISSION PROCESS” in the subject line. Please note that pitches or submissions sent via email will not be accepted. Submission info .

24. Narratively

25. catapult, 26. jezebel.

At Jezebel, the high volume of daily emails (over 500), including tips and questions from readers, makes it impossible to respond to all of them, even though they are all read and appreciated. Their primary job involves posting 60+ items a day, and due to workload constraints, they may not always be able to reply to your email. Submission info .

27. Bitch Media

Bitch Media seeks pitches offering feminist analysis of culture, covering a wide array of topics including social trends, politics, science, health, life aspects, and popular culture phenomena. They publish critical essays, reported features, interviews, reviews, and analyses. First-person essays should balance personal perspectives with larger themes. Both finished work and query letters are welcome. However, due to the volume of submissions, they cannot guarantee a response or that every pitch will be read. Submission info .

28. Broadview

29. briarpatch magazine, 30. maisonneuve.

Maisonneuve Magazine welcomes non-fiction writing submissions in various forms (reporting, essays, memoirs, humor, reviews) and visual art (illustration, photography, comics). They do not accept fiction, poetry, or previously published work. They prefer well-developed, well-researched pitches, but also accept polished drafts if the writer is open to edits. To understand what the magazine is looking for, it’s recommended to read some recent issues or check their website. Submission info .

31. Room Magazine

32. hazlitt.

Hazlitt is currently not accepting submissions but it might reopen soon. They seek original journalism, investigative features, international reporting, profiles, essays, and humor pieces, but they are not considering unsolicited fiction. Pitches with proposed word counts are preferred, and they have a section called “Hazlitt Firsts” for reviews of experiencing mundane things for the first time as adults. Submission info .

33. This Magazine

34. geist magazine.

Geist magazine seeks submissions with a literary focus, including short non-fiction for the Notes & Dispatches section (around 800-1200 words) with a sense of place, historical narrative, humor, and personal essays on art, music, and culture. They encourage submissions from diverse writers and will pay writers $300-500 for accepted pieces. Submission info .

35. Discover Magazine

36. eater voices.

Eater Voices accepts personal essays from chefs, restaurateurs, writers, and industry insiders about the food world. To pitch, email a brief explanation of the topic and why you are the right person to write about it to [email protected]. Submission info .

37. The Temper

The Temper is an online publication focused on sobriety, addiction, and recovery, challenging drinking culture. They seek diverse and intersectional stories written through the lens of addiction, covering various topics like sex, food, relationships, and more. Submissions are currently closed, but they are especially interested in amplifying voices from marginalized and underrepresented groups. Submission info .

38. Chatelaine

39. conde nast traveler, 40. boston globe ideas.

Globe Ideas is dedicating an entire issue to young people’s voices and stories. Teens are invited to share their aspirations, concerns, and experiences about mental health, school, social media, and more, up to 700 words or through short notes, videos, or illustrations. This is a chance for teens to set the record straight and tell the world what matters most to them. Submission info .

41. Babbel Magazine

42. huffpost personal.

HuffPost seeks to amplify voices from underrepresented communities, including BIPOC, LGBTQ, and people with disabilities. They accept freelance pitches on a wide range of topics, providing clear guidelines for submissions. They also encourage visual creatives to submit their work, and all published contributors are paid for their work. Please note that due to the volume of submissions, individual responses may not be possible. Submission info .

43. Adelaide Literary Magazine

44. biostories.

BioStories welcomes nonfiction prose submissions of 500 to 7500 words, with the typical piece being around 2500 words. Submit via email to [email protected], pasting the submission in the email body with the subject line “biostories submission” and your last name. Simultaneous submissions are accepted, but immediate notification is required if accepted elsewhere. Multiple submissions are allowed at a one-month interval, and the work must be previously unpublished in print and online. Noncompliant submissions will not receive a response. Submission info .

45. Quarter After Eight

Quarter After Eight welcomes innovative writing submissions in any genre from both new and established writers. To withdraw work, use the “withdraw” option on Submittable for the entire submission or the “note” function to specify which pieces to withdraw; do not email about withdrawals. Submission info .

46. The Rappahannock Review

The Rappahannock Review accepts original and innovative writing in various genres, including fiction, nonfiction, poetry, and audio pieces. They encourage experimentation and creativity, seeking enthralling voices and compelling narratives. Additionally, the magazine showcases a variety of visual artists and welcomes submissions for consideration in each new issue. Submission info .

Allure is seeking writers to contribute pieces that explore beauty, style, self-expression, and liberation. They are looking for writers with relevant credentials and experience in the field, and they offer compensation of $350 for reported stories and $300 for personal essays. Submission info .

48. MLA Style Center

49. marie claire.

SELF magazine is actively seeking new writers, particularly from marginalized communities, to contribute to their health and wellness content. They are interested in pitches that offer helpful insights on topics related to health, fitness, food, beauty, love, and lifestyle. The focus should be on improving personal or public health clearly and straightforwardly. Submission info .

51. Her Story

HerStry is a platform that focuses on the experiences of women-identifying persons, including cisgender women, transgender women, non-binary persons, and more. They accept personal essays that are true stories about the author, with a length between 500 to 3,000 words. They pay $10 for each published personal essay here, but there is a $3 submission fee (with limited free submission periods). Stories are read blind, and explicit or offensive content is not accepted. Submission info .

52. Griffith Review

Griffith Review accepts submissions based on specific themes for each edition. They welcome new and creative ideas, allowing writers to express their voices in essays, creative and narrative nonfiction-fiction, and analytical pieces. Submissions should generally range from 2,000 to 5,000 words, with up to four poems allowed on theme. Submission info .

53. Literary Review of Canada

54. harper’s magazine.

For Harper’s Magazine, nonfiction writers should send queries accompanied by a self-addressed, stamped envelope. Ideas for the Readings section can be sent to [email protected], but individual acknowledgment is not guaranteed due to volume. All submissions and queries must be sent by mail to their New York address. Submission info .

55. Virginia Quarterly Review

56. the new england review.

New England Review is open for submissions in all genres during specific periods. They accept fiction, poetry, nonfiction, dramatic writing, and translations. The magazine only considers previously unpublished work, and simultaneous submissions are allowed. They welcome submissions from writers of all backgrounds and encourage diverse perspectives. Submission info .

57. One Story

One Story seeks literary fiction between 3,000 and 8,000 words, any style, and subject. They pay $500 and provide 25 contributor copies for First Serial North American rights. Only unpublished material is accepted, except for stories published in print outside North America. Simultaneous submissions allowed; prompt withdrawals upon acceptance elsewhere. Accepts DOC, DOCX, PDF, and RTF files via Submittable. No comments on individual stories. No revisions of previously rejected work. Translations are accepted with proper attribution. No emailed or paper submissions, except for incarcerated individuals. Submission info .

58. The Threepenny Review

59. zoetrope: all-story, 60. american short fiction.

American Short Fiction accepts regular submissions of short fiction from September to December. The magazine publishes both established and new authors , and submissions must be original and previously unpublished. Manuscripts should be typed, double-spaced, and accompanied by the author’s contact information. Simultaneous submissions are allowed, but authors must withdraw their work if accepted elsewhere. Payment is competitive and upon publication, with all rights reverting to the author. American Short Fiction does not accept poetry, plays, nonfiction, or reviews. Submission info .

61. The Southern Review

62. boulevard magazine.

Boulevard seeks to publish exceptional fiction, poetry, and non-fiction from both experienced and emerging writers. They accept works of up to 8,000 words for prose and up to five poems of up to 200 lines. They do not consider genres like science fiction, erotica, horror, romance, or children’s stories. Payment for prose ranges from $100 to $300, while payment for poetry ranges from $50 to $250. Natural Bridge Online publication offers a flat rate of $50. Submission info .

63. The Cincinnati Review

64. the antioch review.

The Antioch Review seeks nonfiction essays that appeal to educated citizens, covering various social science and humanities topics of current importance. They aim for interpretive essays that draw on scholarly materials and revive literary journalism. The best way to understand their preferences is to read previous issues and get a sense of their treatment, lengths, and subjects used in the publication. Submission info .

AGNI’s online Submission Manager is open from September 1st to midnight December 15th, and again from February 15th to midnight May 31st. Manuscripts can also be submitted by mail between September 1st and May 31st. AGNI considers prose in various genres, including personal essays, short stories, prose poems, and more. They do not publish academic essays or genre romance, horror, mystery, or science fiction. Simultaneous submissions are welcome, and sending through the online portal incurs a $3 fee, but regular mail submissions can be made to avoid the fee. Submission info .

66. Barrelhouse

Barrelhouse accepts unsolicited submissions for book reviews through their Submittable online submissions manager. They pay $50 to each contributor and accept simultaneous submissions. There is no maximum length, but most published pieces are shorter than 8,000 words. They only accept Word or rich-text (.rtf) files and prefer poetry to be submitted as a single document. Submissions for their print and online issues are currently closed, but book reviews are open. Response time is approximately six months. Submission info .

67. Tin House Online

Tin House is a good company that offers a two-day submission period three times a year for writers without a current agent and no previous book publication (chapbooks accepted). They accept fiction, literary nonfiction, and poetry, both in English and in translation (with formal permission). Completed drafts are required. They are particularly interested in engaging with writers from historically underrepresented communities. Submission info .

68. One Teen Story

69. bennington review, 70. epoch literary.

Epoch Literary accepts poetry submissions of up to five poems, short fiction or essay submissions as a single piece or a suite of smaller pieces, and visual art and comics for the cover. They do not publish literary criticism or writing for children and young adults. Electronic submissions are open in August and January, with a $3 fee, part of which supports the Cornell Prison Education Program. Submission info .

71. The Gettysburg Review

The Gettysburg Review accepts poetry, fiction, essays, and essay reviews from September 1 to May 31, with a focus on quality writing. Full-color graphics submissions are accepted year-round. It’s recommended to read previous issues before submitting, and sample copies are available for purchase. The journal stays open during the summer for mailed submissions or those using Submittable and purchasing a subscription or the current issue. Submission info .

72. Alaska Quarterly Review

The publication accepts submissions of fiction, poetry, drama, literary nonfiction, and photo essays in traditional and experimental styles. Fiction can be short stories, novellas, or novel excerpts up to 70 pages, and poetry submissions can include up to 6 poems. They aim to respond within 4 to 12 weeks, but authors can inquire about their manuscript status after 4 weeks if needed. Submission info .

73. Colorado Review

74. the georgia review.

The Georgia Review accepts submissions both online and by post, but not via email. Submissions are free for current subscribers. They do not consider unsolicited manuscripts between May 15 and August 15 and aim to respond within eight months. Previously published work will not be considered, and simultaneous submissions are allowed if noted in the cover letter. They offer different prizes for poetry and prose and accept submissions in fiction, poetry, essays, and book reviews. Submission info .

75. New Letters

New Letters accepts submissions year-round through Submittable, with a small fee waived for current subscribers. They welcome up to six poems, one chapbook, one piece of nonfiction, one short story (graphic or traditional), or one novella per submission. Simultaneous submissions are allowed if notified, and response time is approximately six months. They publish short stories up to 5,000 words, novellas up to 30,000 words, graphic short stories up to ten pages in color or black and white, and chapbooks up to 30 pages. Submission info .

76. Shenandoah

77. triquarterly.

TriQuarterly, the literary journal of Northwestern University, welcomes submissions in poetry, fiction, creative nonfiction, video essays, short drama, and hybrid work from both established and emerging writers. They are especially interested in work that engages with global cultural and societal conversations. Submissions are accepted through Submittable, and they charge a small reading fee. Submission windows vary by genre. Submission info .

78. E-International Relations

79. longreads.

Longreads publishes the best long-form nonfiction storytelling and accepts pitches for original work. They pay competitive rates and prefer pitches via email to [email protected]. Fiction is not accepted, and submissions using generative AI tools will be rejected. You can also nominate published stories by tweeting with the #longreads hashtag. Submission info .

80. Education Week

If you want to get your essays published in a print magazine or an online publication, it’s time to approach the appropriate section editor or send your work via a submissions page. Even in a world where so much content is produced by AI, publications are still interested in receiving great writing written in a conversational tone. Just make sure to follow the guidelines (especially those around word count) and show off your flamboyant writing style in a prestigious online magazine. Next up, you might want to check a list of the top sites that will pay you to write, or my extensive list of publishing companies .

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7 publications that pay well for personal narrative essays

Despite The New Yorker declaring that the personal essay boom was over in 2017, I’ve seen the opposite. Whenever I look on Twitter, I see callouts from editors for candid, revealing and thought-provoking first person pieces. For freelance writers, the advantage of writing a personal narrative essay is that you are drawing on your own experience, so there is very little need for external research or case studies. Many writers also say that writing down their own experience and sharing it with others feels validating, affirming and therapeutic.

Before I became a full time freelancer , I wrote quite a few personal narrative essays.

Why? Because personal narrative essays are one of the fastest and easiest ways to get published.

When I was writing my first-person pieces, I found numerous articles about how to sell personal essays in the age of over-sharing and how to write compelling first person pieces for major publications.

I quickly learnt that if you are willing to open up and share your own experience, you can be compensated well for it.

And if you’re interested to learn more about how to write a personal essay (and how to get paid for it!) I’ve created the ultimate guide to step you through the process.

It takes you through:

Choosing the perfect topic for a personal essay
How to start a personal essay (including what to do and not to do and examples of banging beginnings)
Common mistakes people make when writing first-person narratives
How to write a compelling personal essay that keeps people reading right to the end
Examples of great personal narrative essays
How to pitching your story to an editor
And lots more!

The guide also includes 15+ paying markets for personal narrative essays, but I know that it can be tricky to find publications that accept freelance submissions.

The good news is that there are plenty of online and print publications looking for personal essays.

So if you have a personal story you want to share, where can you pitch it?

If you’re a writer who has had a book published, it’s definitely worth pitching to Allure (a magazine predominantly for women about beauty) as they pay up to $3,000 for personal essays up to 2000 words.

For those mere mortals among us who haven’t written a book, the rate for personal essays seems to be more like $250 – $500.

Glamour is another women’s magazine that heavily focuses on beauty, fashion and entertainment stories. Personal essays published by Glamour are reported to fetch around $2/word.

3. The Guardian

You have to love an editor who puts what she wants from writers out there and Jessica Reed from The Guardian certainly delivers. For beautifully written personal essays, The Guardian reportedly pays 60c/word.

4. Marie Claire

If you’ve got something compelling, insightful, intimate, funny, relatable or awkward to say about your love or sex life, then a personal essay directed to Marie Claire might be just the ticket. Writers report that Marie Claire pays $2/word.

Are you spotting a theme here? Women’s magazines love personal essays. If you want to write first hand experience about fitness, food, health or culture, it’s worth pitching to SELF magazine, who pay up to $700 for 2000 words.

A dynamic site covering world affairs, pop culture, science, business, politics and more, Vox pay around $500 for personal narrative essays. What’s even better is their clear pitching guidelines for their First Person section .

7. News.com.au

If you feel like a sharing a real life story like this one , you can pitch to the lifestyle vertical on the Australian website news.com.au. Writers are reportedly paid around $500 for a post.

Great examples of personal essays

You could spend years reading all the personal narrative essays that get published, but here are my picks for some of the best:

My washing line is heavy with the weight of our ash-ridden tent hung out to air. I wonder if the smell of smoke will ever be gone. I have no recollection of the tent being packed away – I was focused on the children, keeping them calm. All I know is that we’d never packed up a campsite so damn quickly. But then, we’d never fled a bushfire. You can read the rest of the article here.

“I love you so much.” Those whispered words make everything better – and when my soul mate and husband died, five years ago, I truly believed I would never hear them again. You can read the rest of the article here.

My epiphany came, like many of them do, while I was taking a dump. Specifically, it came while I was trying to take a dump in the woods after three years of struggling with gastrointestinal issues. It went something like this: you don’t need to be gluten-free anymore. You just need to relax. You can read the rest of the article here.

The rules for pitching a personal essay are much the same as when you query an editor for any other kind of writing assignment.

You just need a strong hook and engaging writing style.

The writers I know who create personal narrative essays love it.

They feel free and are absolutely thrilled when readers respond to their articles with “me too!”

After all, isn’t the point of writing to reach and connect with others? Personal essays tend to do that in a very special way.

Do you write personal narrative essays? Have you found other well-paying markets?

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29 Publishers that Pay for Personal Essays

For those who have a true story to share, this list is for you. It’s a list of publishers that pay for personal essays.

I’ve included a wide variety of publications here. All of them pay for the essays they publish. You’ll find contact information, as well.

For those interested in learning more about writing and publishing personal essays, I highly recommend watching my hour long discussion with the editor of HuffPost Personal. (Essays published in HuffPost often reach millions of readers.)

Also, for those looking for even more options, you may want to look into literary journals that publish creative nonfiction. Literary journals tend to want submissions of complete drafts, and are less likely to pay, but are still a good option for many writers. Authors Publish has an older list of such journals here.

For paid subscribers, if you have any requests, in terms of future lists you would like me to put together, please let me know! (This list was requested by a subscriber.)

Open Secrets is an online magazine (hosted by Substack) that publishes memorable and revealing personal essays on the topics we are taught to keep “secret.” They are open to essays (1,000 to 1,500 words) on all personal experiences. They pay authors $100 per essay. For more information, refer to this page .

The Doe is a digital publication that shares anonymous, verified personal narratives to promote civil discourse. They are accepting pitches for stories from voices across the spectrum, including first-time writers. They publish anonymous, first-person narrative pieces and personal, verified non-fiction pieces full of vivid anecdotes. They want writers to keep their drafts to 500-700 words. According to their Twitter post, they pay around $100-300 per story. To learn more, visit this page .

HuffPost Personal is a personal stories section in HuffPost (a news and opinion website). Their personal stories are “original, authentic, compelling and told in the first person.” To pitch, refer to this page . Watch our interview with the editor here.

Oh Reader is a print and online magazine about reading. They are “looking for stories about your experiences as a reader, insight into the effect of reading on humans, humorous takes on the world of words, and anything else you as a reader or writer might be interested in sharing.” They pay a flat rate of $200 per published article. Details here .

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5 places to submit your personal essays

where to submit personal essays blog 1200

The best stories often come from real-life experiences. If you enjoy writing personal essays, consider submitting your work to one of the publications on this list. (Fiction writers and poets, there are some gems for you here too.) All the journals on our list are currently open for submissions and none charge fees.

Note: We are a creative writing school and compile these lists for the benefit of our students. Please don’t send us your publishing queries or submissions :). Click on the links to go to the publication’s website and look for their submissions page.

Adelaide Literary Magazine accepts personal essays and narrative nonfiction (up to 5,000 words) written in English and Portuguese. You can also submit short stories (up to 5,000 words) and poetry (up to 5 pieces per submission). They publish online once per month and generally respond within two months.

bioStories focuses exclusively on personal essays (500-7500 words). They publish essays on nearly any topic and are especially interested in work that celebrates the extraordinary within the ordinary. Pieces are published as they are accepted, and the editors generally respond to submissions within two months.

HuffPost Personal wants personal stories from writers of diverse experiences and welcomes essays on nearly any topic so long as they’re told with an authentic voice and point of view. There are no specific word limits, but writers are asked to pitch the editors before submitting their piece for consideration.

Quarter After Eight is an online literary journal published once per year. The editors are seeking work that ‘directly challenges the conventions of language, style, voice, or idea’. In addition to essays and creative nonfiction (no specific word limits), they also accept flash fiction, short stories (up to 7,500 words), and poetry (up to 4 pieces per submission). Submissions are open through 15 April 2021, and the average response time is 2-3 months.

The Rappahannock Review is an online literary magazine that publishes twice per year. In addition to essays and creative nonfiction (up to 8,000 words), they’re also looking for flash fiction, short stories (up to 7,500 words), and poetry (up to 5 poems per submission). They generally respond within one month.

3 responses on "5 places to submit your personal essays"

Just found this- Thanks for the info!

Hi, thank you very much for sharing this useful information. Now, I know where I can submit my personal essays. Writing essays make me occupied with writing and reading everyday.

Thank you! I was looking for places to submit personal essays!

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11 Tips For Writing A Publishable Personal Essay

I'm not gonna lie: the hardest thing to get printed on Bustle as a freelancer is a personal essay . That said, personal essays are also what I'm most in need of as our features editor . The reason they're so difficult to get accepted is not because I don't need or want them — it's because they are among the hardest to write well.

Though personal essays sometimes have an unfair reputation for being somehow "soft" or "self-indulgent," in my opinion, they are actually one of the most effective ways to communicate a point, experience, or even a feeling to a wide audience. So if you're thinking of pitching a personal essay to Bustle — or any other online publication, for that matter — know that we very much want to hear your stories.

But before you pitch, there are several things you can do to ensure you have the best chance possible of actually getting your essay printed . When it comes to writing for the web, the rules are not the same as they might be in school, or in a literary journal — and you're going to need to know how to adjust your essay accordingly.

Here are my tips, as the editor who decides what runs — and the writer who's totally been there.

1. When In Doubt, Start With What's On The Tip Of Your Pen

Having an idea of what you're going to write about is obviously where you want to start. Sometimes I get pitches that seem like four essays in one — even though the topics might be interesting, there's too much material to fit into an (ideally for us) 1000-1400 essay with any real resonance.

So how do you narrow things down — or figure out what to write about in the first place? I recommend free writing to find out . Take out a journal and write longhand for ten to twenty minutes. Don't let yourself pause — the important thing here is to keep writing without censoring yourself. Don't worry about it being intelligible. If you're stuck, write, "I'm stuck, I'm stuck," until something else comes out. You might try starting each sentence with "I remember" or "I see/smell/hear/feel" in order to drum up more details from the recesses of your mind.

2. Scan Your Freewrite For Details

When you're done with your freewrite, your creative muscles will already be warmed up — and you'll be able to see the patterns in your verbal diarrhea. Chances are, there's more good stuff there than you think. You might pick out a particular moment — a line even — that sparks a memory.

I suggest starting small: perhaps you notice that you're writing a lot about your ex. Is there one line about them that stands out to you, like maybe the memory of the time they snatched the remote away from you? Then I recommend starting your essay at that scene, and going from there. Remember, you can always change your beginning — the important thing is to pick a jumping-off point that feels doable rather than daunting. Is there a memory you can start with? Some dialogue? Remember, details are your friend, and, as a rule, the most powerful personal essays are quite specific.

3. Map Your Arc

Structure is the main place I see personal essays stumble. I like the advice I heard on a Moth podcast a few years ago, which I'll paraphrase here: Every good story gives the audience a sense of where the protagonist began, a moment of change when something in the protagonist shifts, and ends with a sense of where the protagonist is now — and why it matters.

Now, that might sound a lot like a beginning, middle, and end — but it's not quite the same. This kind of arc can be nonlinear as well, as long as it communicates those three things. (Nor should your essay ever be tied up in a pretty, simple bow.)

For example, I wrote a personal essay about my experience of realizing that being gluten-free wasn't right for me. The essay began with a very visual moment of me squatting in the woods, anxious about whether I'd be able to poop. (Hey, whatever draws the reader in.) From there, the essay then details my experience — why I became gluten-free in the first place, and how I started questioning whether I needed to be. The essay then ends back in those woods — chronologically, we're in the same moment we started, but are left with my aha moment, and a clear sense of how my perspective changed.

I picked such a graphic scene to begin and end my essay because looking back on an experience that spanned two years, I didn't know where to start. But in journaling, I found that my mind kept returning to that moment in the woods as a turning point and a clear image connected to my experience. Starting it with a scene made an overwhelming essay feel much more doable. Knowing that would be both my starting an ending point, it became much less daunting to write everything in between.

I suggest mapping out what your arc is, and making sure it's clear in your mind before you start writing. It will make your essay much clearer, and easier for the reader to draw meaning from.

4. Write Like Your Family Won't Read It

This advice comes straight from the most talented personal essayist I know — Bustle's own Gabrielle Moss. She jokes that this is easier for her since she's actually estranged from her family, but even if you're not, it's good advice to write like they aren't watching. Often, we censor ourselves way more than we need to, and it keeps us from writing with the kind of honesty that makes an essay connect.

See if you can write as though no one's reading. Tell yourself you can always edit out certain details later, and try to write with as much honesty as possible. You'll end up with more details this way, and likely, a much better personal essay.

If you feel scared about telling the whole truth, think about the personal essays and books that have most affected you. Chances are they resonated because they were honest, and expressed something you'd felt that you hadn't been able to put into words yet. If you can tell your story honestly and with vulnerability, it is a real gift to give your reader. They aren't going to judge you for it — in fact, it's exactly what will make them respect you as a writer.

Which brings me to...

5. Value & Cultivate Honesty

Whenever you write, keep the question Am I being honest? in the front of your mind. If something reads somewhat disingenuous, or you're only telling half the truth — know that readers and editors can smell it a mile away. It's natural to want to protect your ego or privacy, but try to stay genuine and raw; it's a personal essay, after all. Often, a couple days of distance between you and a first draft can help provide perspective on this one, tempting as it is to keep tinkering.

As a writer, it's also important that you continue working on your own self-awareness . Therapy, meditation, walking, yoga, journaling, spending time alone — all of these practices help us get to know ourselves better so that we can call ourselves on being disingenuous in our writing (and life). The time you spend processing your thoughts is what gives your words meaning, so you should spend as much time getting to know yourself as you do trying to write honestly.

6. Make The Personal Political

This doesn't mean you literally have to make every personal essay political (though I love that too and here are some great examples !). What I mean is, as you're writing, try to keep this question at the front of your mind: Is this relevant to someone who doesn't know me?

Now, this certainly doesn't mean you need to explain yourself, or your point, explicitly. Some of the best personal essays let the reader infer meaning, simply by evoking universal feelings. That said, I often see writers stumble under the assumption that because an experience was important to them or happened to them, it will be important to everyone.

That can be true — but you need to have a sense of how it matters before you start writing, otherwise it can be easy to get too caught up in your own *feels*.

Ask yourself: How is this relevant to people who don't care about me personally? Does my story represent a larger struggle or common experience?

The answers should be yes, even if you're writing, say, about the experience of coming out, and know all women are not gay. This essay is a great example of a writer communicating a very specific experience in universal terms that the reader can empathize with.

7. Review Your Essay For "Texture"

It's a writing class cliche, but it's true: show, don't tell. That doesn't mean you can't ever tell; it just means that after you've written your essay, you should review it for texture, as I like to think about it.

A good essay usually has some moments of telling, some scenes, some beautiful descriptive language, some dialogue, and often, some outside perspective (i.e. stats, quotes from other essays or articles, social/political context). Those are not hard-and-fast rules of course — you might write an essay that is pretty uniform and simple in style, like this one . But where I see most people tripping up is in describing everything and showing next to nothing.

Once you've finished a first draft, look at the essay and see where you can replace a telling graph with a scene or dialogue that illustrates the same point.

8. Be A Ruthless Self-Editor

Often, I get personal essays that have clearly not been closely edited. They have typos, lack structure, or have too much repetition and rambling. When you're pitching for online publication, you need to assume that the editor reviewing your essay is completely inundated with emails and pressed for time. She has potentially already read dozens of pitches that day. One way to make your essay stand out among them is to make sure your copy is as clean and tight as possible.

After you feel pretty good about your draft, read it out-loud to yourself.

Ask yourself: Where can I condense this? Do I repeat myself anywhere? Are there any places I could turn a "telling" graph into a scene or dialogue, or otherwise give it more texture? Does anything sound like something I wouldn't really say or believe? Is my arc clear?

Of course, you'll also want to read for typos, style, and punctuation. I also suggest trying to break your paragraphs up as much as possible so that you're not sending huge walls of text to an editor's screen — once again, the experience of reading something online is not the same as in print. You're targeting an audience with a shorter attention span.

You can read more about all my tips for being a good self-editor here .

9. Have Someone Else Read It Before You Pitch

I can't emphasize enough how valuable it is to have a trusted friend, partner — whoever — as an editor. I'm lucky in that my partner is actually a professional editor, but even if he weren't, I'd show him my work before sending it off to pitch because he knows me. Even if your trusted person isn't a writer or editor, someone who knows you well will be able to tell you where something doesn't make sense, and perhaps, where you're not being as genuine as you could be.

Ask them to consider the same questions I asked in section six, and also add: What did you think the point of this was? How did it make you feel? If they aren't getting what you want the essay to communicate, or seem unaffected by it, you might want to keep tinkering before you send it off.

10. Know How To Pitch To The Site You're Emailing

Knowing how to pitch is extremely important. Each site is different, and you should tailor your pitch to their preferences. But no matter the site, I do think it's safe to assume that any editor is relatively pressed for time. You want to package your piece as clearly as possible. Don't write a huge introduction, and I suggest copying and pasting the essay in the body of the email to save them even more time, unless they specify otherwise.

These days, many sites like ours also require images of the author themselves for personal essays, so you could make your piece even more approval-ready by attaching a few relevant photos of yourself as well. My article on how to pitch to Bustle will break down the details of what you need to know even further, so check it out, no matter what you're pitching.

11. Stay In Shape

It isn't easy to get a personal essay accepted to Bustle. But that doesn't mean you shouldn't keep trying, or pitch a rejected essay elsewhere. If you have several pitches rejected in a row, don't get discouraged — but don't keep trying the same things either. This might be when you want to follow up with me or another editor and ask what you could do to improve.

Of course, it is also very important that you continue to read writers you admire and study the craft of the personal essay . You can't expect yourself to spew genius if you don't allow other writers to inform and inspire you. You should also read personal essays on the sites that you are pitching to; if you're not familiar with the publication's tone and general form, it will be apparent to the editor and will put you at a disadvantage.

Finally, as every writer knows, writing is a muscle, and the more you keep exercising, the better shape you'll be in. Make your routine targeted, regular, and tailored to you, and you'll be kicking ass in no time.

Images: Pexels; Giphy

Fifteen Excellent Personal Essays to Read this Week...

Welcome to Memoir Land —a newsletter edited by Sari Botton , now featuring three verticals:

Memoir Monday , a weekly curation of the best personal essays from around the web brought to you by Narratively , The Rumpus , Granta , Guernica , Oldster Magazine , Literary Hub , Orion Magazine , The Walrus , and Electric Literature . Below is this week’s curation.

First Person Singular , featuring original personal essays. Recently I published “ On Silence (or, Speak Again) ” by Elissa Bassist . A new essay is coming soon.

*Submissions are currently paused for First Person Singular. I’ll do a limited submission period this fall. Stay tuned…*

The Lit Lab , featuring interviews and essays on craft and publishing. It is primarily for paid subscribers . Recently I published the second installment of “ The Prompt-O-Matic ” series.

Memoir Monday is a reader-supported publication that pays contributors for original essays and interviews. To support this work, become a paid subscriber.

Essays from partner publications…

Maternal vertigo: on chaos, childcare, and civilizational collapse, by molly lynch.

“Sometime in the early weeks after becoming a mother, it occurred to me that by giving birth to a baby I’d also given birth to chaos. I don’t mean that my child embodied chaos. It was more like when the baby exited my body, a dark, swarming force rushed in. By wanting to protect someone, I’d invited into my life all that I could never protect him from. I’ve since thought that part of what changes you when you become a parent has to do with the way you encounter this contradiction: at the very moment that you take on the greatest act of caring, you discover how powerless you are.”

A Boat Ride to the Confluence of the Two Niles

By isma’il kushkush.

“Known as the longest kiss in history, al-Mugran is a place of natural beauty and romantic symbolism where the calm and clear waters of the White Nile from the south meet the muddier, darker and rushing waters of the Blue Nile from the east. Al-Mugran’s name comes from Arabic for ‘the junction’ or ‘the confluence’, where, after ‘kissing’, the differently colored battling currents remain visible before flowing united.”

In Defense of Sophie Turner, It’s Nearly Impossible to Be a “Good Mother

By alicia andrzejewski.

“Generations of bad mothers have taught me that, no matter what Turner may or may not have been caught doing on a Ring camera, the dictates of motherhood are painful—violent, even—to bear. Sophie Turner has privileges many mothers cannot even imagine and yet even she cannot escape these narratives, cannot measure up to what patriarchy deems a good, successful mother.”

The Forest Clearing

By yomi wrong.

“I feel pulled to a clearing. Now I’m distracted. I have an urgency to explore. When we break to go off wandering, I bolt in the direction that calls me. Rolling up a slope, my wheels struggle to grip the forest floor, and I panic, fearing I’ll get stuck. Keep going.”

Burning it Down

By joy castro.

“Since my late twenties, when my hair began to go silver, I’d colored it assiduously, like all the women in my family—like all the Latinas I knew. Dark hair was a marker of identity, of youth, of femininity, of our culture.” ( Editor’s note: This essay was featured when it first was published in 2022. Re-upping now because it received notable mention in The Best American Essays 2023, edited by Vivian Gornick. )

What It Took to Write the Personal Essay That’s Setting the Web on Fire

By jesse sposato.

“Every once in a while I start reading a story and know right away that it’s going to be the kind of piece that truly grabs me and allows the rest of the world to fall away while I read. Jenisha Watts’s new essay for The Atlantic , ‘ I Never Called Her Momma: My childhood in a crack house ,’ is one of those stories. And I wasn’t alone — the entire internet has been ablaze with words of adoration since the essay was first published earlier this month.” ( Editor’s note: This is not an essay, but an interview about one, which was featured in this newsletter two weeks ago. )

Essays from around the web…

By cristina olivetti.

“There are so many lasts we don’t remember. I don’t remember the last time Graham drove the S-80...I do know I kept the car for a while after Graham could no longer drive it. You can ask my friends—I drove Ludicrous for all of them. But it wasn’t that fun. People felt nauseous and knocked around. I get it. They weren’t falling apart like we were, so that thin disintegrating feeling wasn’t exactly hilarious for them...”

by Sydney Lea

“One event marred the celebration when I was ten. Just before lunch, I climbed a big rock and put my hand on a copperhead snake that had been warming winter out of its system at the flattened top. I remember to this day how intensely painful its bite was. After a rattling trip in Dad’s ’48 Chevy wagon to a doctor’s office in a postage stamp-sized town nearby, I was injected with anti-venin and, the poisonous bite’s only memorable effect, apart from that pain, was a stiff neck for ten hours or so. I do recall that I’d never loved my father as much as I did each time I woke up; there he’d faithfully be right through till dawn, squinting in the half-light at some magazine, his chair barely rocking.”

Just a Normal Girl, Hiding From the Building Inspector

By micaela macagnone.

“I was 15 the first time it happened…I was staring at the empty apartment and wondering what would happen if the police figured out what my dad had done…For years, my family had been living in a commercial building — illegal for residential use — above my father’s Pilates studio. He had opened it in 1998 at Scheffel Hall, a New York City landmark on Third Avenue dating to 1895.”

So Fierce Is the World: On Loneliness and Philip Seymour Hoffman

By richard deming.

“The desolation of loneliness, like the connected problems of substance abuse and depression, comes from the feeling that the experience—when one is in it —will never end. That is why, sometimes, people choose to end it for themselves. If we are to keep going, push through, or slip around it, I believe we must reinvent loneliness in order to survive it. I have been trying to do this my whole life.” (h/t The Small Bow .)

SuperBabies Don’t Cry

By heather lanier.

“Here’s the thing. If you buy into a false narrative that the body is controllable, that illness can always be prevented, then by proxy you are left with a disturbing, damaging, erroneous conclusion: the belief that a person’s disability is their fault.”

How to Prepare for A Difficult Conversation

By ethan gilsdorf.

“Conjure the person with whom you need to discuss this urgent matter—the spouse, the sibling, the in-law, the outlaw, the ex-, the coworker, the offspring, the former best friend, the dead parent. It’s simple. Watch their drooping face, age spots, shaky jaw, deliberate way of speaking, how they hide behind their sunglasses and never make eye contact, and let it all enter the crenellations of your agitated brain.”

The Power of the Cookie

By blair glaser.

“I didn’t want any more cookies. They wouldn’t be warm. They wouldn’t include Ava’s ironic presence. What I could take was the mutual hope we had given each other just by living our lives, and the incredible reflection that all that grueling personal work I did to heal had actually inspired someone else without me doing anything except eating one cookie: the cookie that would change my life.”

When Leaving Isn’t the Hardest Part

By dr. tamara mc.

“We couldn't learn how to stand up for ourselves, setting us up for a lifetime of abuse. This is what fundamentalist communities teach girls. Because our bodies belonged to our parents, church, and eventually our husbands, they never belonged to us. The title of the Duggar docuseries includes the word "secrets," but I hope by now it's no surprise that fundamentalist religious environments can be the grimiest of all. Despite the Duggars' squeaky-clean appearance and our contrasting grubby one, we both shared dark secrets.”

How We Carry the Weight of It

By will mcmillan.

“We arrive in the raspberry fields when it’s dark. It’s dark when we pile out of our secondhand pickup. My father, my mother. My brother and me. It’s dark when we start walking the rutted, sopping dirt road that cuts through the field, where we meet and melt into a vast sea of bodies, the dozens of families who’ve piled out of their secondhand pickups, their cars. All of us merging, ambling forward, a sleepy, reluctant, unremarkable herd. All of us, in the dark.”

🚨Announcements:

📢 submissions for narratively ’s second annual memoir prize are open now..

“From Tuesday, September 26, 2023, through Thursday, November 30, 2023, Narratively is accepting entries for our 2023 Memoir Prize. We’re on the hunt for revealing and emotional first-person nonfiction narratives from unique and overlooked points of view. The winning submission will receive a $3,000 prize and publication on Narratively.”

Learn more at Narratively

📢 Take my Skillshare workshop on blending the individual and the collective in your essays!

Take Sari Botton's SkillShare Workshop

📢 Attention Publications and writers interested in having published essays considered for inclusion in our weekly curation:

By Thursday of each week, please send to [email protected]:

The title of the essay and a link to it.

The name of the author, and the author’s Twitter handle.

A paragraph or a few lines from the piece that will most entice readers.

Because of data limits for many email platforms, going forward we will only include artwork from our partner publications. No need to send art.

*Please be advised, however, that we cannot accept all submissions, nor respond to the overwhelming number of emails received. Also, please note that we don’t accept author submissions from our partner publications.

You can also support Memoir Monday—and indie bookstores!—by browsing this Bookshop.org list of every book that’s been featured at the Memoir Monday reading series. It’s a great place to find some new titles to add to your TBR list!

Ready for more?

The Freelance Writing Network

20 Publications Paying for Personal Essays!

For fwnn premium, i've compiled a list of publications that will pay writers for their personal essays. got a story to tell check this one out.

Welcome to the latest premium edition of the Freelance Writing Network. This week, I’ve chatted to writers and researched a list of publications that are paying for personal essays.

Have a personal essay or essay idea you want to submit to somewhere? Not found a home for it yet? This is the resource for you.

And don’t forget, there’s lots of other Premium Opportunity posts available for premium subscribers. That’s on top of the early opportunities each week!

Longreads is dedicated to finding and sharing the best longform nonfiction storytelling on the web. We look for smart, unexpected angles and compelling voices across a wide range of topics. Their personal essay rate is $500. Check their submission guidelines here .

The Sun Magazine publish personal essays, short stories, poems, and black-and-white photography in print and online in a monthly magazine. They pay $1 a word for their commissions. Check out the details here .

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Best of 2022: Personal Essays

Does My Son Know You?

Jonathan Tjarks | The Ringer | March 3, 2022 | 2,738 words

Jonathan Tjarks was 33 years old when he learned he had cancer. Thirty-three. He had a wife and a baby son and a sportswriting career that was humming along, and then he had cancer. What he didn’t have was the willingness to go gently into that good night. So he wrote about his fear, and he wrote about his faith and his friendships; how difficult those things were, how important they were. He’d lost his own father when he was young, and he wanted more than anything for his son to avoid the slow erosion of community that he had known in the wake of his dad’s death. “I don’t want Jackson to have the same childhood that I did,” he wrote. “I want him to wonder why his dad’s friends always come over and shoot hoops with him. Why they always invite him to their houses. Why there are so many of them at his games. I hope that he gets sick of them.” Jonathan Tjarks was 34 years old when he died of cancer just a few short months after this essay was published. He’d done what he could to fight, and he’d done what he could to make sure that the friends he’d made would help his son navigate the world. To the rest of us, he left this spare, frank, moving essay. — Peter Rubin

On Metaphors and Snow Boots

Annie Sand | Guernica | May 23, 2022 | 2,821 words

“Only sometimes will the ice hold my weight,” writes Annie Sand in this powerful essay at Guernica , in which she considers the meteorological metaphors she uses to understand and cope with mental illness. “Metaphor rushes in to fill gaps, to make meaning, and to conceal,” she says, as she attempts to assess the cost of a bout of anxiety in “hours of writing lost, hours of grading lost, hours of exercise lost, hours of sleep lost, hours of joy lost.” While metaphor can be a convenient way for us to attempt to understand the pain of others, language in all its power often comes up short, diminishing the complexities of human perception and experience with inadequate comparisons. “When we use metaphor to conceal the unknowable, we make symbols out of human beings and allegory out of experience. We reduce our own pain to a precursor, a line item, a weather report,” she says. The key, Sand suggests, is to define pain and suffering for yourself: “I wonder instead if the answer is not to abstain from metaphor, but rather, each time society tries to wheat-paste an ill-fitting metaphor over our lives, to offer one of our own.” If you’ve ever tried to explain how you really feel — mentally or physically — to someone, you’ll appreciate Sand’s thinking. — Krista Stevens

Annie Sand on the most impactful longform story she read this year:

For me it has to be “ Final Girl, Terrible Place ” by Lesley Finn. She talks about the concept of the final girl in horror: the young woman who makes it to the end of the movie, but is nonetheless objectified within the story. Her body is put on the line so the male psyche can experience threat from a distance. Reading the essay, I felt a flash of desperate recognition I hadn’t experienced since Leslie Jamison’s “ Grand Unified Theory of Female Pain .” Finn captures so much of the uncertainty of being a teenage (and even preteen) girl: the way you feel the noose of culture and power closing in on you but have no name for it. Now in my early 30s, I’m helping to raise a teenage girl who is obsessed with horror, I suspect for similar reasons as Finn. I think she sees herself in the final girl. Maybe over Christmas break we’ll read it together.

20 Days in Mariupol

Mstyslav Chernov | Associated Press | March 21, 2022 | 2,400 words

We tend to think of personal essays as marathons rather than sprints, feats of the written word that require time, training, and endurance to complete. But sometimes a brilliant essay is a mad dash because it has to be. Case in point, this harrowing piece that begins, “The Russians were hunting us down. They had a list of names, including ours, and they were closing in.” Video journalist Mstyslav Chernov’s account of witnessing and escaping the siege of Mariupol, Ukraine, is an essential first draft of history, penned in collaboration with Lori Hinnant, an AP colleague, and punctuated by photographer Evgeniy Maloletka’s chilling images. In spare, unflinching language, Chernov describes Russia’s campaign to suppress the truth about its brutal assault on civilians. What lingers most vividly in my memory, though, are the essay’s interior parts, where Chernov conveys a raw mix of shock, fear, anger, and guilt about what, as a journalist, he saw, did, and couldn’t do. These moments are what make such an otherwise immediate piece timeless: Chernov captures the essence of both conflict reporting and what it means to be the person doing it. — Seyward Darby

To Live in the Ending

Alyssa Harad | Kenyon Review | July 29, 2022 | 6,113 words

When it was time to select an essay for this category, I immediately knew the type of piece I wanted to highlight. Week after week, it’s so easy to get lost in #sadreads, especially about the state of the planet. I’ve found some comfort in writing about the Earth and the climate crisis that, while urgent and often dismal, ultimately challenges me to think in new ways — and which helps me see a path toward a better future. I count Alyssa Harad’s gorgeous braided essay about the end of the world and the language of the apocalypse as one of this kind of piece — I’ve kept thinking about it for months. Instead of relying on catastrophe narratives or thinking of the end as a singular event, Harad considers life as a series of “nested crises,” and explains that “worlds end all the time.” I love the way she artfully weaves her observations about the world with musings that trace her own thinking since she was a child, and reflects on how she’s come to make sense of the uncertain times in which we live. It’s an essay, but it’s also a journey, and it deeply inspired me, as both a writer and a human. — Cheri Lucas Rowlands

Alyssa Harad recommends a piece that made her smile this year:

“ Unconditional Death Is a Good Title ,” a selection in The Paris Review from the pandemic journal kept by the late-but-always-and-forever-great poet Bernadette Mayer, surges with the life and joy typical of Mayer’s work: “not growing old gracefully,” Mayer writes, “i’ve chosen to grow old awkwardly, like a teenager.”

14 Hours in the Queue to See Queen Elizabeth’s Coffin

Laurie Penny | British GQ | September 18, 2022 | 3,415 words

The Queue to see Queen Elizabeth’s coffin seems particularly bizarre now that the moment has passed. Looking back at it is akin to waking up after too many beers and analyzing the deep connection you thought you shared with the bartender. Laurie Penny found it awkward even at the emotional height of the time, and she approaches the Queue with a healthy amount of cynicism (and snacks). However, within the Queue, she finds incredible camaraderie and a shared sense of loss, not just for the Queen, for, as Penny states, “almost everyone I speak to turns out to have recently lost someone, or something important.” The loss from COVID-19 is also apparent as the Queue shuffles past the National COVID Memorial, naming the people who succumbed to the pandemic, and Penny realizes, “about as many people queued past that wall as there are names on it.” The passing of Elizabeth II created something that, for a brief moment, allowed people to come together and mourn and grieve in solidarity. Mourn and grieve for many things after some difficult years. With barriers down — for whatever reason — there can be tremendous release in shared emotion. This essay made me think about many things beyond the Queen: community, loss, and loneliness, to name a few. It also made me laugh, which is the splendid thing about Laurie Penny’s writing — she can make you ponder through a chuckle. — Carolyn Wells

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10 Personal Narrative Examples to Inspire Your Writing

About the author.

Reedsy's editorial team is a diverse group of industry experts devoted to helping authors write and publish beautiful books.

About Martin Cavannagh

Head of Content at Reedsy, Martin has spent over eight years helping writers turn their ambitions into reality. As a voice in the indie publishing space, he has written for a number of outlets and spoken at conferences, including the 2024 Writers Summit at the London Book Fair.

Personal narratives are short pieces of creative nonfiction that recount a story from someone’s own experiences. They can be a memoir, a thinkpiece, or even a polemic — so long as the piece is grounded in the writer's beliefs and experiences, it can be considered a personal narrative.

Despite the nonfiction element, there’s no single way to approach this topic, and you can be as creative as you would be writing fiction. To inspire your writing and reveal the sheer diversity of this type of essay, here are ten great examples personal narratives from recent years:

1. “Only Disconnect” by Gary Shteyngart

Personal narratives don’t have to be long to be effective, as this thousand-word gem from the NYT book review proves. Published in 2010, just as smartphones were becoming a ubiquitous part of modern life, this piece echoes many of our fears surrounding technology and how it often distances us from reality.

In this narrative, Shteyngart navigates Manhattan using his new iPhone—or more accurately, is led by his iPhone, completely oblivious to the world around him. He’s completely lost to the magical happenstance of the city as he “follow[s] the arrow taco-ward”. But once he leaves for the country, and abandons the convenience of a cell phone connection, the real world comes rushing back in and he remembers what he’s been missing out on.

The downfalls of technology is hardly a new topic, but Shteyngart’s story remains evergreen because of how our culture has only spiraled further down the rabbit hole of technology addiction in the intervening years.

What can you learn from this piece?

Just because a piece of writing is technically nonfiction, that doesn’t mean that the narrative needs to be literal. Shteyngart imagines a Manhattan that physically changes around him when he’s using his iPhone, becoming an almost unrecognizable world. From this, we can see how a certain amount of dramatization can increase the impact of your message—even if that wasn’t exactly the way something happened.

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2. “Why I Hate Mother's Day” by Anne Lamott

The author of the classic writing text Bird by Bird digs into her views on motherhood in this piece from Salon. At once a personal narrative and a cultural commentary, Lamott explores the harmful effects that Mother’s Day may have on society —how its blind reverence to the concept of motherhood erases women’s agency and freedom to be flawed human beings.

Lamott points out that not all mothers are good, not everyone has a living mother to celebrate, and some mothers have lost their children, so have no one to celebrate with them. More importantly, she notes how this Hallmark holiday erases all the people who helped raise a woman, a long chain of mothers and fathers, friends and found family, who enable her to become a mother. While it isn’t anchored to a single story or event (like many classic personal narratives), Lamott’s exploration of her opinions creates a story about a culture that puts mothers on an impossible pedestal.

In a personal narrative essay, lived experience can be almost as valid as peer-reviewed research—so long as you avoid making unfounded assumptions. While some might point out that this is merely an opinion piece, Lamott cannily starts the essay by grounding it in the personal, revealing how she did not raise her son to celebrate Mother’s Day. This detail, however small, invites the reader into her private life and frames this essay as a story about her —and not just an exercise in being contrary.

3. “The Crane Wife” by CJ Hauser

Days after breaking off her engagement with her fiance, CJ Hauser joins a scientific expedition on the Texas coast r esearching whooping cranes . In this new environment, she reflects on the toxic relationship she left and how she found herself in this situation. She pulls together many seemingly disparate threads, using the expedition and the Japanese myth of the crane wife as a metaphor for her struggles.

Hauser’s interactions with the other volunteer researchers expand the scope of the narrative from her own mind, reminding her of the compassion she lacked in her relationship. In her attempts to make herself smaller, less needy, to please her fiance, she lost sight of herself and almost signed up to live someone else’s life, but among the whooping cranes of Texas, she takes the first step in reconnecting with herself.

With short personal narratives, there isn’t as much room to develop characters as you might have in a memoir so the details you do provide need to be clear and specific. Each of the volunteer researchers on Hauser’s expedition are distinct and recognizable though Hauser is economical in her descriptions.

For example, Hauser describes one researcher as “an eighty-four-year-old bachelor from Minnesota. He could not do most of the physical activities required by the trip, but had been on ninety-five Earthwatch expeditions, including this one once before. Warren liked birds okay. What Warren really loved was cocktail hour.”

In a few sentences, we get a clear picture of Warren's fun-loving, gregarious personality and how he fits in with the rest of the group.

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4. “The Trash Heap Has Spoken” by Carmen Maria Machado

The films and TV shows of the 80s and 90s—cultural touchstones that practically raised a generation—hardly ever featured larger women on screen. And if they did, it was either as a villain or a literal trash heap. Carmen Maria Machado grew up watching these cartoons, and the absence of fat women didn’t faze her. Not until puberty hit and she went from a skinny kid to a fuller-figured teen. Suddenly uncomfortable in her skin, she struggled to find any positive representation in her favorite media.

As she gets older and more comfortable in her own body, Machado finds inspiration in Marjory the Trash Heap from Fraggle Rock and Ursula, everyone’s favorite sea witch from The Little Mermaid —characters with endless power in the unapologetic ways they inhabit their bodies. As Machado considers her own body through the years, it’s these characters she returns to as she faces society’s unkind, dismissive attitudes towards fat women.

Stories shape the world, even if they’re fictional. Some writers strive for realism, reflecting the world back on itself in all its ugliness, but Carmen Maria Machado makes a different point. There is power in being imaginative and writing the world as it could be, imagining something bigger, better, and more beautiful. So, write the story you want to see, change the narrative, look at it sideways, and show your readers how the world could look.

5. “Am I Disabled?” by Joanne Limburg

The titular question frames the narrative of Joanne Limburg’s essay as she considers the implications of disclosing her autism. What to some might seem a mundane occurrence—ticking ‘yes’, ‘no’, or ‘prefer not to say’ on a bureaucratic form—elicits both philosophical and practical questions for Limburg about what it means to be disabled and how disability is viewed by the majority of society.

Is the labor of disclosing her autism worth the insensitive questions she has to answer? What definition are people seeking, exactly? Will anyone believe her if she says yes? As she dissects the question of what disability is, she explores the very real personal effects this has on her life and those of other disabled people.

Limburg’s essay is written in a style known as the hermit crab essay , when an author uses an existing document form to contain their story. You can format your writing as a recipe, a job application, a resume, an email, or a to-do list – the possibilities are as endless as your creativity. The format you choose is important, though. It should connect in some way to the story you’re telling and add something to the reader’s experience as well as your overall theme.

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6. “Living Like Weasels” by Annie Dillard

While out on a walk in the woods behind her house, Annie Dillard encounters a wild weasel. In the short moment when they make eye contact, Dillard takes an imaginary journey through the weasel’s mind and wonders if the weasel’s approach to life is better than her own.

The weasel, as Dillard sees it, is a wild creature with jaws so powerful that when it clamps on to something, it won’t let go, even into death. Necessity drives it to be like this, and humanity, obsessed with choice, might think this kind of life is limiting, but the writer believes otherwise. The weasel’s necessity is the ultimate freedom, as long as you can find the right sort, the kind that will have you holding on for dear life and refusing to let go.

Make yourself the National Geographic explorer of your backyard or neighborhood and see what you can learn about yourself from what you discover. Annie Dillard, queen of the natural personal essay, discovers a lot about herself and her beliefs when meeting a weasel.

What insight can you glean from a blade of grass, for example? Does it remind you that despite how similar people might be, we are all unique? Do the flights of migrating birds give you perspective on the changes in your own life? Nature is a potent and never-ending spring of inspiration if you only think to look.

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7. “Love In Our Seventies” by Ellery Akers

“ And sometimes, when I lift the gray hair at the back of your neck and kiss your shoulder, I think, This is it.”

In under 400 words, poet Ellery Akers captures the joy she has found in discovering romance as a 75-year-old . The language is romantic, but her imagery is far from saccharine as she describes their daily life and the various states in which they’ve seen each other: in their pajamas, after cataract surgeries, while meditating. In each singular moment, Akers sees something she loves, underscoring an oft-forgotten truth. Love is most potent in its smallest gestures.

Personal narrative isn’t a defined genre with rigid rules, so your essay doesn’t have to be an essay. It can be a poem, as Akers’ is. The limitations of this form can lead to greater creativity as you’re trying to find a short yet evocative way to tell a story. It allows you to focus deeply on the emotions behind an idea and create an intimate connection with your reader.

8. “What a Black Woman Wishes Her Adoptive White Parents Knew” by Mariama Lockington

Mariama Lockington was adopted by her white parents in the early 80s, long before it was “trendy” for white people to adopt black children. Starting with a family photograph, the writer explores her complex feelings about her upbringing , the many ways her parents ignored her race for their own comfort, and how she came to feel like an outsider in her own home. In describing her childhood snapshots, she takes the reader from infancy to adulthood as she navigates trying to live as a black woman in a white family.

Lockington takes us on a journey through her life through a series of vignettes. These small, important moments serve as a framing device, intertwining to create a larger narrative about race, family, and belonging.

With this framing device, it’s easy to imagine Lockington poring over a photo album, each picture conjuring a different memory and infusing her story with equal parts sadness, regret, and nostalgia. You can create a similar effect by separating your narrative into different songs to create an album or episodes in a TV show. A unique structure can add an extra layer to your narrative and enhance the overall story.

9. “Drinking Chai to Savannah” by Anjali Enjeti

On a trip to Savannah with her friends, Anjali Enjeti is reminded of a racist incident she experienced as a teenager . The memory is prompted by her discomfort of traveling in Georgia as a South Asian woman and her friends’ seeming obliviousness to how others view them. As she recalls the tense and traumatic encounter she had in line at a Wendy’s and the worry she experiences in Savannah, Enjeti reflects on her understanding of otherness and race in America.

Enjeti paints the scene in Wendy’s with a deft hand. Using descriptive language, she invokes the five senses to capture the stress and fear she felt when the men in line behind her were hurling racist sentiments.

She writes, “He moves closer. His shadow eclipses mine. His hot, tobacco-tinged breath seeps over the collar of my dress.” The strong, evocative language she uses brings the reader into the scene and has them experience the same anxiety she does, understanding why this incident deeply impacted her.

10. “Siri Tells A Joke” by Debra Gwartney

One day, Debra Gwartney asks Siri—her iPhone’s digital assistant—to tell her a joke. In reply, Siri recites a joke with a familiar setup about three men stuck on a desert island. When the punchline comes, Gwartney reacts not with laughter, but with a memory of her husband , who had died less than six months prior.

In a short period, Gwartney goes through a series of losses—first, her house and her husband’s writing archives to a wildfire, and only a month after, her husband. As she reflects on death and the grief of those left behind in the wake of it, she recounts the months leading up to her husband’s passing and the interminable stretch after as she tries to find a way to live without him even as she longs for him.

A joke about three men on a deserted island seems like an odd setup for an essay about grief. However, Gwartney uses it to great effect, coming back to it later in the story and giving it greater meaning. By the end of her piece, she recontextualizes the joke, the original punchline suddenly becoming deeply sad. In taking something seemingly unrelated and calling back to it later, the essay’s message about grief and love becomes even more powerful.

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30 publications that pay writers for personal essays.

Compiled By H. Lovelyn Bettison

The following is a list of 30 magazines, newspapers, and websites that pay for personal essays. Included is a wide variety of publishers, covering many specialties and topics. For even more publishers seeking submissions, grab a copy of the Paid Publishing Guidebook.

The Boston Globe

The Boston Globe accepts personal essays about relationships for their Connections section. The essays should be about 650 words. Please send an email with “Query” as the subject line to [email protected] to pitch your essay.

Extra Crispy

Extra Crispy pays for personal essays about food. The articles they publish have a conversational tone with a bit of humor. http://www.extracrispy.com/culture/185/how-to-pitch-extra-crispy

Dame is a women’s magazine. They don’t have a submissions page, but do provide an email address for pitches: [email protected] http://www.damemagazine.com/

Kveller is a parenting magazine that accepts personal essays about parenting and women’s issues as seen through a Jewish lens. http://www.kveller.com/article/submission-guidelines/ They pay $25 per post.

The New York Times: Modern Love

The New York Times Modern Love is looking for essays about love and relationships in modern times payment $300. The desired length for essays is 1500 to 1700. The submission page is old, but still up to date. http://www.nytimes.com/2010/12/21/fashion/howtosubmit_modernlove.html?_r=1&

The New York Times: Lives

New York Times Lives accepts essays about meaningful life experiences. http://www.nytimes.com/column/lives Read the section to get an idea of what they want and send pitches to [email protected]

Salon publishes personal essays. Send your pitches in the body of the email not as an attachment. They also would like to know about your background and what makes you qualified to write the piece you’re proposing. http://www.salon.com/about/submissions/

Slate is an online magazine about news, politics, and culture. Please indicate which section you’re pitching to in the subject line of your email. http://www.slate.com/articles/briefing/contact_us/2006/08/whereto_find_slate_staff.html

Slice is a print magazine based in Brooklyn. They accept short fiction and personal essays. Submissions will open again on April 1. They pay $250

https://slicemagazine.org/submit/

The Smart Set

The Smart Set is an online magazine about arts and culture, science, and global and national affairs. http://thesmartset.com/about-us/#submissions

The Billfold

The Billfold is a publication about money. They accept personal essays about your experiences with money, saving, and debt. https://thebillfold.com/about

MotherwellMotherwell is a parenting magazine that looks for personal essays that take a novel angle on parenting. Essays should be up to 1200 words. https://motherwellmag.com/submissions/

Tin House is a literary journal that publishes personal essays up to 10,000 words. They have themed issues and only accept unsolicited submissions in September and March. http://www.tinhouse.com/magazine/submission-guidelines.html

Narratively

Narratively is devoted to untold human stories. They accept pitches and completed essays. http://narrative.ly/contribute/

Guideposts is looking for your true stories of inspiration and hope. Submit completed essays via the submission form on their website. https://www.guideposts.org/tell-us-your-story

The Christian Science Monitor: Home Forum

Home Forum publishes upbeat personal essays that are 600 to 800 words in length. The payment is $75. http://www.csmonitor.com/About/Contributor- guidelines/Contributor-Guidelines-The-Home-Forum

The Establishment

The Establishment is a multimedia publication that encourages diversity. They accept essays 800 to 1,500 words long and pay $125. https://theestablishment.co/pitch-us-b0788d803a0b#.34no26v7l

The Sun is a literary journal that is mainly interested in personal stories. They pay $300-$2000 for personal essays up to 7,000 words. http://thesunmagazine.org/about/submission_guidelines/writing

Skirt is a women’s magazine that publishes essays that are about 800 to 1100 words long. Each issue of the magazine has a theme. Look at their editorial calender for subjects. They pays $200 per essay. http://www.skirt.com/contribute/

Travels’ Tales

Travels’ Tales publishes your travel essays in their anthologies. They pay $100 per essay. http://travelerstales.com/submission-guidelines/

Brain, Child

Brain, Child is an award-winning literary magazine for mothers. They pay for personal essays on parenting. https://www.brainchildmag.com/about/writers-guidelines/

Chicken Soup for the Soul

Chicken Soup for the Soul releases themed books throughout the year. They accept uplifting essays that are less than 1200 words. The pay is $200. http://www.chickensoup.com/story-submissions/possible-book-topics

Backpacker has a Destinations section where they publish first person accounts of outdoor experiences. The pay is $0.40-$1 per word http://www.backpacker.com/backpacker-contributor-s-guidelines/

Paste Magazine

Paste Magazine focuses on music, movies, TV, videogames, comedy, books and more. They do accept personal essays. Read past essays to get an idea about what they are looking for. Pay varies. https://www.pastemagazine.com/paste/2012/03/writer-guidelines.html

True Story is published by Creative Nonfiction. They accept personal essay between 5000-10000 words and pay $300. https://www.creativenonfiction.org/submissions/true-story

Good Old Days

Good Old Days accepts personal essays about growing up between 1935 and 1960. They should be informal and conversational in tone. Payment varies. http://www.goodolddaysmagazine.com/contributor_guidelines.php

AARP Magazine

AARP Magazine publishes thoughtful, timely personal essays that are relevant to people over 50. Payment varies. http://www.aarp.org/about-aarp/info-05-2010/writers-guidelines-aarp-magazine.html

Broadly is a website devoted to representing a wide variety of women’s experiences. They publish personal essays. https://broadly.vice.com/en_us/page/about

The Three Penny Review

The Three Penny Review is a literary magazine that publishes both fiction and creative nonfiction. They pay $400 per story or article. http://www.threepennyreview.com/submissions.html

Vox First Person

Vox First Person is dedicated to publishing thoughtful, in-depth first person narratives. They pay, but don’t list the rates on their site. http://www.vox.com/2015/6/12/8767221/vox-first-person-explained

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COMMENTS

Publish Your Personal Essay: 22 Magazines and Websites
Publish Your Personal Essay: 22 Magazines and Websites
80 Best Magazines & Websites That Publish Personal Essays
Here are the top magazines and publications that publish thought-provoking essays: 1. The New York Times - Modern Love. "Modern Love" accepts essay submissions via email at [email protected] with the essay subject or potential title as the email subject line.
7 publications that pay well for personal narrative essays
7 publications that pay well for personal narrative essays
29 Publishers that Pay for Personal Essays
Open Secrets is an online magazine (hosted by Substack) that publishes memorable and revealing personal essays on the topics we are taught to keep "secret.". They are open to essays (1,000 to 1,500 words) on all personal experiences. They pay authors $100 per essay.
5 places to submit your personal essays
5 places to submit your personal essays. The best stories often come from real-life experiences. If you enjoy writing personal essays, consider submitting your work to one of the publications on this list. (Fiction writers and poets, there are some gems for you here too.) All the journals on our list are currently open for submissions and none ...
70 Publishers that Pay for Personal Essays & Memoir
Oregon Humanities Magazine is a triannual publication that "offers a forum through which Oregon writers, scholars, and readers can use the humanities to explore timeless and timely ideas and themes.". For shorter department pieces, they pay $50 to $200 and for personal essays and features, they pay $300 to $800.
Personal Essays
Personal Essays
12 Medium Pubs For Personal Essay and Memoir Writers
13 Publications for Personal Essays and Memoirs Human Parts. Hi, I'm the new editor of Human Parts. And I want to read your writing. humanparts.medium.com.
20 Places to Read Great Personal Essays
20 Places to Read Great Personal Essays
This List of 130+ Editors Who Accept Personal Essays is Pure Gold
Hundreds of students have taken Paturel's personal essay course over the last 15 years. They've placed articles in lots of well-known publications, like The Washington Post, The New York Times, the Huffington Post, Marie Claire and more. Amy herself has written for The New York Times, Parents, Women's Health and Newsweek, among others.
11 Tips For Writing A Publishable Personal Essay
Once you've finished a first draft, look at the essay and see where you can replace a telling graph with a scene or dialogue that illustrates the same point. 8. Be A Ruthless Self-Editor. Often, I ...
Where to Submit Your Personal Essay in 2024
An annually updated list of magazines, newspapers, and literary journals seeking personal essays. This is a curated list, focusing on the best markets. At present, the list contains 43 publications, and is current for 2024. Ranging from the big ones (NYT — and not just Modern Love) to fairly small literary magazines, including several that ...
9 Publications That Pay for Personal Essays
It's an online system that some publications use to manage submissions —and in my opinion, it's far easier than email. 1. Slate. Slate specialises in news, politics, and culture, but they take pitches on a wide range of topics including personal essays. Advice: On their submissions page, they have a template pitch email.
33 Publishers that Pay for Personal Essays
The following is a list of publishers that pay for personal essays or memoir. Included is a very wide variety of publications, covering a wide variety of topics. ... They also retain the right to publish articles or photos in any of their affiliated publications and online. Payment is $50-$75 for assigned articles for the website, $100-$150 for ...
Fifteen Excellent Personal Essays to Read this Week
Joy Castro. "Since my late twenties, when my hair began to go silver, I'd colored it assiduously, like all the women in my family—like all the Latinas I knew. Dark hair was a marker of identity, of youth, of femininity, of our culture." (Editor's note: This essay was featured when it first was published in 2022.
10 Great Sites For Publishing Your Personal Essays
Try The Way Of The Horse by Monica Devine. Compelling Stories On A Theme ($) Slice Magazine — "Slice magazine welcomes submissions for short fiction, nonfiction, and poetry. We're looking ...
Best of 2021: Personal Essays
The Gradual Extinction of Softness, Chantha Nguon and Kim Green, Hippocampus Magazine, November 8, 2021. For this category, I'm recommending a moving, lyrical personal essay from Kim Green and Chantha Nguon. Nguon is a co-founder of a women's social enterprise in rural northeastern Cambodia. For 10 years, these two friends have been ...
20 Publications Paying for Personal Essays!
The New Yorker is an American magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. While specific fees vary, all New Yorker payments are at least $1 per word according to reports and feedback from writers. They accept essays on a rolling basis.
Best of 2022: Personal Essays
Annie Sand | Guernica | May 23, 2022 | 2,821 words. "Only sometimes will the ice hold my weight," writes Annie Sand in this powerful essay at Guernica, in which she considers the meteorological metaphors she uses to understand and cope with mental illness. "Metaphor rushes in to fill gaps, to make meaning, and to conceal," she says, as ...
10 Personal Narrative Examples to Inspire Your Writing
10 Personal Narrative Examples to Inspire Your ...
30 Publications that Pay Writers for Personal Essays
The Boston Globe accepts personal essays about relationships for their Connections section. The essays should be about 650 words. Please send an email with "Query" as the subject line to [email protected] to pitch your essay. Extra Crispy; Extra Crispy pays for personal essays about food.
10 Amazing Personal Essays
6. Melissa Febos: " The Wild, Sublime Body ". This essay appeared in Best American Essays 2022 after being published in The Yale Review, and showcases the best of Febos, in that it is intensely corporeal. Febos's personal essay has a very clear subject—her body and her relationship with her body.
Nine Types of Personal Essays
Personal op-ed essay (aka the persuasive essay) These personal essays argue for or against an idea, and range from 650-1500 words, though often on the shorter side, especially if they are to appear in a newspaper. Personal opinion essays often feature somewhat clickbaity headlines. Like an op-ed, the essay article argues a point, but a personal ...

80 Best Magazines & Websites That Publish Personal Essays

Here are the top magazines and publications that publish thought-provoking essays:

3. Dame Magazine

4. The New Yorker

5. The Atlantic

7. The Guardian

8. Los Angeles Times

9. The Sun Magazine

12. Vox Culture

15. The Boston Globe

18. Refinery29

20. Cosmopolitan

23. Autostraddle

24. Narratively

27. Bitch Media

28. Broadview

31. Room Magazine

33. This Magazine

35. Discover Magazine

37. The Temper

38. Chatelaine

41. Babbel Magazine

43. Adelaide Literary Magazine

45. Quarter After Eight

46. The Rappahannock Review

48. MLA Style Center

51. Her Story

52. Griffith Review

53. Literary Review of Canada

55. Virginia Quarterly Review

57. One Story

58. The Threepenny Review

61. The Southern Review

63. The Cincinnati Review

66. Barrelhouse

67. Tin House Online

68. One Teen Story

71. The Gettysburg Review

72. Alaska Quarterly Review

73. Colorado Review

75. New Letters

76. Shenandoah

78. E-International Relations

80. Education Week

Rafal Reyzer

7 publications that pay well for personal narrative essays

Why? Because personal narrative essays are one of the fastest and easiest ways to get published.

And if you’re interested to learn more about how to write a personal essay (and how to get paid for it!) I’ve created the ultimate guide to step you through the process.

3. The Guardian

4. Marie Claire

7. News.com.au

Great examples of personal essays

The rules for pitching a personal essay are much the same as when you query an editor for any other kind of writing assignment.

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List by Interest

Personal Essays

The Fab Five and Hair That Does the Talking

How I Proposed to My Girlfriend

When Williamsburg Was on the Wrong Side of the River

Mayfield, Before and After

Sunday Reading: Personal Reflections

My Failed Attempts to Hoard Anything at All

Stalking a Rustically Hip Family on Instagram

A Dark Ride

Julius: The Story of a Premature Birth

The Nick Cave Song That Changed My Life

Two Sister-Poets Gone Too Soon: Ntozake Shange and My Sister

The Sordid Necessity of Living for Others

Memories of V. S. Naipaul

I’ve Quit Writing Personal Essays About Quitting Things: A Personal Essay

My Father and Sandy Koufax

The Personal-Essay Boom Is Over

11 Tips For Writing A Publishable Personal Essay

1. When In Doubt, Start With What's On The Tip Of Your Pen